The Soundtrack of Ambition: Exploring the 2026 OST of How To Make A Killing

Introduction to How To Make A Killing and Its Anticipated Soundtrack

The 2026 film How To Make A Killing promises to deliver a gripping narrative backed by a compelling score. Directed by John Patton Ford and starring Glen Powell alongside Margaret Qualley, this upcoming thriller delves into the ruthless world of financial manipulation. The movie’s original soundtrack (OST) is already generating buzz, blending tension-filled orchestration with eclectic musical choices to underscore its intense storyline. With its release on video-on-demand platforms, the film’s music is poised to become a standout element for fans of cinematic soundtracks.

The Music Behind the Film: A Score of Subterfuge

Composed by Emile Mosseri, known for his work on films like The Last Black Man in San Francisco, the How To Make A Killing OST captures the duality of its protagonist, Becket Redfellow (Glen Powell). A blue-collar outsider thrust into the elite world of finance, Becket’s journey is mirrored in the score’s juxtaposition of gritty, industrial rhythms and soaring, melancholic melodies. Mosseri’s approach avoids over-reliance on traditional orchestral tropes, instead opting for a hybrid sound that reflects the film’s themes of class disparity and moral ambiguity. The soundtrack’s opening track, “Take Me Back To Piauí” by Juca Chaves, immediately sets a haunting tone. Its haunting vocals and minimalist instrumentation